Tata Naka – a lesson in colour, pattern and quirkiness

Back in 2000 when I started knitting and only dreamed of doing it for a living, Tata Naka had just launched their label and had shown at London Fashion Week for the first time. It was a beautiful, whimsical collection which mixed modern shapes with vintage fabrics from their birth place Tbilisi in Georgia. I particularly coveted a pale pink, hand knitted jumper in a batwing shape where one sleeve had been replaced with beautiful, delicate lace.

Fast forward 15 years and they are still as innovative as ever, using bold colours and patterns in wearable shapes, often with a wink to their heritage or an interesting period in time.

On the 11th February, Vogue.com posted this mood board from their upcoming collection:

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This glimpse into the story behind the upcoming collection, showing, amongst other things, a little nod to Asian styles and shapes, shown through the multitude of images of classic Asian actresses and the Chines dragon print. It is no secret that I love colour and especially appreciate it when used in AW collections. This all made me more than a little bit excited and the resulting show was not a disappointment. These prints are mouth-watering, as is the colour palette:

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I also love a good, bold monochrome print and in a long-sleeved, maxi-length dress it is a complete winner

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Why not throw it together with another pattern? Bingo! The pleated multi layered skirt can cover a multitude of sins as does the polo-neck cut top.

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To me this is a garment for our (generally not very warm) English summers, to a wedding or party when you really can’t face uncovering your arms or permi goose-bumped legs:

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And if you are self-conscious about revealing your stomach (which is pretty much all of us) then:

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Their prints are pieces of art, it’s as simple as that. Who doesn’t want a suave, cravat wearing man on their skirt?

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Did I mention warm? Actual, warm looking winter clothes. For winter! And crushed velvet! Oh, you’ve come a long way since the early 1990s..

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And lots of white too. It just gave it such a fresh and light feel. Nothing dour here..

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And finally – no collection loved by me would be complete without a mullet relating item, seen here as a side-mullet top…

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This last one might just be overkill but so what. It is fashion fun at its best and not a dead animal in sight.

(all images from vogue.com)

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